a first account of the New York Songwriters' Circle
by Kristen Kozub
Last Thursday, July 24th, I had the opportunity to see the New York Songwriters' Circle in Philadelphia. Set at the surprisingly intimate World Cafe Live Upstairs, six up-and-coming singer-songwriters took their places on the stage to treat their audience to a collaborative night of song. Along with previously-featured artist Ian Axel (click here to read our feature), performers included Erin Sax Seymour, Bret Mosely, Erik Mitchell, Lili Anel, and John Conahan.
Each of the six performers arranged themselves on the stage as audience members quietly chitchatted with excitement for the evening's performance. Introduced by none other than Philadelphia native Lizanne Knott, the musicians seemed eager to share their music with each other and with the concertgoers.
Ian Axel, who performed first, blew audience members away with his fresh, classically-influenced instrumentals, and honest, clever lyrics. The 23-year old New Yorker played some of his newer tunes, one of which had never before been performed! Audience members seemed impressed by his natural musical ability and impressive instrumentals. Axel's vocals bear a striking resemblance to those of Ben Folds, and his compositional structure is similar to that of Keane. Fans of these bands, and similar music, will undoubtedly appreciate him.
Erin Sax Seymour kicked off her tour at the Circle, and her Alternative-Country flare was one that truly brought something unique to the stage. Seymour began writing as a way to deal with difficulties as a teenager, and her vast understanding of the world at such a young age is evident at first listen.
Texas-born Bret Mosely also delivered an excellent Americana performance, where he made his folk-rock roots and influences evident. His wisdom-rich lyrics definitely brought something special to the stage. His debut album, Light & Blood, has faired extremely well since its 2007 release. Mosely can be heard throughout the United States in the remainder of the year.
Erik Mitchell, whose witty poetry practically had the audience eating out of the palm of his hand, delivered a delightful performance as well. Unbelievably, Mitchell did not pick up a guitar until the age of twenty, and didn't write his first song until two years later. His funky twist on folk music definitely had audience members tapping their feet, and brought smiles to their faces.
Lili Anel brought her very own jazzy sound to the stage, and her Cuban twist was one that seemed to be well-received by her listeners. Her smooth, passionate melodies gave everyone in the room a chance to sit back and breathe, and she seemed to clearly enjoy performing in her native town of Philadelphia. Her music, especially, contained ties with many different styles, including reggae, fulk, funk, and jazz. Anel is sure to be a familiar face in the years to come.
As for John Conahan, his soulful sound is almost unheard of in artists of his generation, and seemed to be very much welcomed by listeners. It was clear that he loved to perform, and he passionately delivered his message. His finely-crafted melodies and soulfully-complex instrumentals, along with his great sense of humor, made him a pleasure to listen to.
Every artist involved in the event brought something uniquely theirs to the stage, and delighted the audience with equally excellent performances. It was very humbling and refreshing to see six of the most promising up-and-coming musicians all together for the same cause. It was great to see them feed off of, and appreciate, each other's sounds. Grammy winners Norah Jones and Vanessa Carlton got their start here, among others. It is amazing to think of what is to come for the fine musicians presented here. Whether it be for the refreshing lyrics, pleasant, soulful melodies, or the exposure to fine new music (not to mention an amazing eclectic venue with excellent food and drink), there is something for everyone at the Circle. Check them out monthly, in both Philadelphia and New York!!!!
IT'S PEANUT BUTTER-JELLY TIME! The Ian Axel Story Lindsay Van Osten
ATTENTION IAN AXEL: Stop, drop, and roll! That's right, this boy is on fire! Though this 23 year-old is just breaking into the music scene, his debut album, I'm On To You, makes him seem like a seasoned professional. He is an extremely accomplished pianist, and the classical training shows, both technically and compositionally. This foundation has allowed him to shape his music in a much richer way. Unlike many artists in today's music scene, Axel does not have to hide weak instrumentals or songwriting abilities behind a vocal mask. In fact, the vocals did not even erupt from his larynx until he was 20! Luckily for him, they are naturally flawless, and fit perfectly with his apparent personal and pianistic quirk.
With solid parallels easily drawn between the sound of Ben Folds and his own, there is no doubt Ian Axel will be able to attract a large and diverse following that will keep expanding for as long as he continues his career.
But you don't have to take my word for it! (I have waited so long for Reading Rainbow references to fit into context!) I am certainly not the only one who thinks this to be true. For instance, MTV can't seem to get enough! Both "Heartbreak Girl" and "Stand Tall" were featured on The Real World in June of this year, and "We Are" was not only featured on The Read World Award Bash in April, but on The Hills as well! Maybe it's time for them to give in to their true desires, and give him his own show!
Axel also enjoyed a residency at Rockwood Music Hall in New York City during the month of June, is a member of the NY Songwriter's Circle, and has graced 5 states, from coast to coast, with his musical presence! He is also B-Line Entertainment's featured artist for the month of July!
Here is a video that may help you get to know Ian a bit better:
(Note: He likes bananas! I'm glad, because we like him too!)
I spent quite a lot of time sucked into the Tube of You and I, watching countless videos of Mr. Axel performing, even as young as 3! (I'm not kidding. Click here after you're done reading this feature, and watch. It is adorable.) They are all so excellent! I really had no idea which to post, but I finally decided on "You Don't Love Me At All". It can not even be found on the record!
This performance makes me wish I could have been there live!!! "You Don't Love Me At All" @ Rockwood Music Hall:
Now let's talk about this album! I'm On To You may seem like a short record, but don't let the number of tracks fool you! Only 6 tracks are listed (There's a hidden track! I know, I love them too!), but each one packs quite a punch. They provoke a level of joy similar to a Church service like the ones in Sister Act! For those of you who have not seen Sister Act: First of all, where have you been?! Secondly, I apologize that I have made this visual difficult for you, but just imagine the most enthusiastic choir party you've ever experienced! Trust me, as you listen to this album, you'll be singing your hallelujahs as you give in to the undeniable temptation to join the Ian Axel choir!
I can honestly say this is a record I am unable to find flaws in. Each track is thrown out with a poised enthusiam, yet manages to be raw at the same time. "Heartbreak Girl" is wild and fun, while "We Are" is simply beautiful. My favorite track, however, is "Stand Tall". Perhaps opening the album with it was the most brilliant move of all. It is inspirational, and immediately involves the listener. A connection between the musician and audience is automatically set in place for the rest of the record, with exposure to highly relatable emotions, and a call that can be directed not only at himself, but to everyone. After this we are sold. Ian is now our friend, and we love him. It's a magical moment when you can dance and cry simultaneously. It is one of life's sweetest releases, and it is carried directly to our ears by Ian Axel- our servant of delicious pop sounds.
In summary, I'm On To You is a hearty and empowering meal for the soul... much like Peanut Butter and Jelly.
While I'm not quite sure of the significance of PB&J in Ian Axel's life, I can honestly say it's been a huge part of my own, so I know where he's coming from!
Here is a video of Ian walking us through the finest PB&J building techniques:
So be joyful! Be empowered! Be free! Begin your journey by constructing the perfect PB&J, and blaring Ian Axel to your heart's content! Do it! It'll be good for your soul.
Future Show Dates:
July, 24 2008 08:00 PM - World Cafe Live (NY Songwriter’s Circle in Philly) 3025 Walnut Street, Philadelphia, Pennsylvania 19104 - $13
August, 8 2008 07:00 PM - tba San Francisco, California
August, 9 2008 07:00 PM - tba Los Angeles, California
August, 15 2008 07:00 PM - tba Atlanta, Georgia
August, 16 2008 07:00 PM - tba Miami Beach, Florida
August, 21 2008 07:00 PM - tba Houston, Texas
August, 22 2008 07:00 PM - tba Austin, Texas
August, 23 2008 07:00 PM - tba San Antonio, Texas
August, 30 2008 07:00 PM - tba Denver, Colorado
September, 6 2008 07:00 PM - tba Las Vegas, Nevada
September, 18 2008 07:00 PM - tba Westchester, New York